• World
    • Africa
    • Asia Pacific
    • Central & South Asia
    • Europe
    • Latin America & Caribbean
    • Middle East & North Africa
    • North America
  • Coronavirus
  • Politics
    • US Election
    • US politics
    • Donald Trump
    • Brexit
    • European Union
    • India
    • Arab world
  • Economics
    • Finance
    • Eurozone
    • International Trade
  • Business
    • Entrepreneurship
    • Startups
    • Technology
  • Culture
    • Entertainment
    • Music
    • Film
    • Books
    • Travel
  • Environment
    • Climate change
    • Smart cities
    • Green Economy
  • Global Change
    • Education
    • Refugee Crisis
    • International Aid
    • Human Rights
  • International Security
    • ISIS
    • War on Terror
    • North Korea
    • Nuclear Weapons
  • Science
    • Health
  • 360 °
  • The Interview
  • In-Depth
  • Insight
  • Quick Read
  • Video
  • Podcasts
  • Interactive
  • My Voice
  • About
  • FO Store
Sections
  • World
  • Coronavirus
  • US Election
  • Politics
  • Economics
  • Business
  • Culture
  • Sign Up
  • Login
  • Publish

Make Sense of the world

Unique insight from 2,000+ contributors in 80+ Countries

Close

What Will Future Generations Say About Us?

What blind spots will future generations condemn us for as they tear down today’s statues tomorrow?
By John Feffer • Jul 17, 2020
Alexander Hamilton, Hamilton, Hamilton Broadway, Hamilton Disney, Aaron Burr, George Washington, US history, American history, founding fathers, John Feffer

New York City on 2/25/2018 © Andrew Cline / Shutterstock

This week, 216 years ago, one founding father killed another in a duel in Weehawken, New Jersey. On that early July morning, the vice president of the United States squared off against the former secretary of the treasury. As virtually everyone in America now knows, thanks to Lin-Manuel Miranda, Alexander Hamilton didn’t survive the shootout with Aaron Burr.


Two Deaths Raise the Specter of Lynching in California

READ MORE


At the beginning of this month, Disney released the film version of Miranda’s blockbuster musical, “Hamilton.” So, I could finally see this extraordinary synthesis of history, biography, music and dance. As a musical, it’s riveting. As political commentary, however, it’s surprisingly dated.

America’s Musical

“Hamilton” debuted five years ago, in the middle of Barack Obama’s second term as president. Just as Obama was daily reimagining the American presidency, “Hamilton” reimagined the American Revolution and the creation of the United States.

By casting people of color as the Founding Fathers — George Washington, Thomas Jefferson, James Madison —  the musical speaks to the universality of that 18th-century struggle and visually links the oppression of Americans at the hands of British colonialism to the oppression of people everywhere. It’s both a projection backward of Obama’s breakthrough and a lyrical version of an Obama speech.

“Hamilton” is radical in form: the casting, the incorporation of rap. The content, however, is quite mainstream. Aside from a couple of references to slavery and the interests of wealthy bankers, it celebrates the spirit of 1776 in a way that Americans of all political persuasions can embrace.

And have embraced. On November 18, 2016, only a week after that gut punch of an election, Mike Pence attended a show, which prompted the actor portraying Burr to say at the close, “We, sir — we — are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights. We truly hope that this show has inspired you to uphold our American values and to work on behalf of all of us.” It was a message from one rogue vice president to another.

Embed from Getty Images

Pence “appeared to enjoy the show and applauded liberally,” NPR reported. And for the next three years, he ignored the remonstration. Pence and Donald Trump, too, portrayed themselves as revolutionary underdogs — rather than the reactionary overlords they really were — who wanted to be in “the room where it happens.” They, too, were not going to throw away their shot.

Now, in perhaps the supreme designation of mainstream status, Disney has made “Hamilton” available to the masses. How times have changed.

In 2020, thanks to the coronavirus, live theater seems impossibly risky (why are the performers touching each other? How can the audience sit so close together?). And, with protesters on the street challenging Washington and Jefferson over their slave ownership, the musical suddenly seems behind the times, though not nearly as backward as Aunt Jemima and the soon to be former Washington Redskins.

As A.O. Scott recently pointed out in The New York Times, “There’s been a bit of a backlash from the left against what’s perceived as an insufficiently critical perspective on slavery (and also on Hamilton’s role in the birth of American capitalism). At the same time, the extent to which Miranda celebrates America’s political traditions has been taken up as a cudgel against the supposed illiberalism of the statue-topplers and their allies.” Miranda himself has acknowledged the criticisms from the left. History doesn’t stand still for anyone, not Jefferson, not Hamilton, not Lin-Manuel Miranda.

The Great and the Not-So-Great

What’s remarkable, of course, is the speed with which the political temperament has changed. In a few short months, statues have fallen throughout the United States, and not just those dedicated to the Confederate cause.

Also torn down or relocated are statues honoring figures associated with the genocide of indigenous people (Christopher Columbus), with slave-owning (Hamilton’s father-in-law, Philip Schuyler) and with racist policing (former Philadelphia Mayor Frank Rizzo). Statues connected to colonialism have fallen in the UK, Belgium and elsewhere. Everything, it seems, is up for debate, even monuments to the heroes of the American Revolution.

We fully expect books and plays written in the 1950s to seem dated. Ditto those produced in the 1970s or even the 1990s. But 2015? The critiques of American failings — slavery, colonialism, racist policing — are not new. What’s changed is that the powerful have been forced to listen.

Perhaps “Hamilton,” despite its slighting of slavery and reverence for the Founding Fathers, even played a role in preparing the powerful for this shift. But let’s be real: The destruction of images — literally, iconoclasm — is a lighter lift than the transformation of structures. It’s one thing to take down Confederate statues, but quite another to remove racism’s grip on housing, education and employment. Likewise, it’s more politically palatable to recast a play about the Founding Fathers than to grapple with the ugly truths that accompanied the founding of this nation.

At a deeper level, the musical and the statues share a common veneration of the great person. History, we are constantly reminded in art and monuments, is the product of founding fathers, great conquerors, kings, presidents and prime ministers. Campaigns are launched to diversify those numbers to include women, people of color, perhaps even an activist or two like Martin Luther King Jr. But the focus remains on the individual, not the countless people who turned the gears of history, planted the fields of history, occupied the streets of history and, ultimately, changed the course of history.

As “Hamilton” acknowledges, great persons are always a product of their time and place, and they’re always flawed in some way or another. Sometimes, those flaws are of an individual nature, like Alexander Hamilton’s adultery (or, more recently, the sexual harassment charges against Park Won Soon, the progressive activist and former mayor of Seoul who committed suicide last week).

More often, the famous personages are as blind to their faults as most everyone else in their society. Transforming society requires a collective effort to shine a light on these blind spots, as the Black Lives Matter movement has done, at home and abroad, around police violence, racist iconography and the legacy of colonialism.

Iconoclasts of the Future, Unite!

So, perhaps it’s time to conduct a thought experiment. We’ve seen how quickly culture has moved on and left the blind spots of “Hamilton” more readily visible. How will future generations condemn us for our blind spots as they tear down today’s statues tomorrow?

I can almost hear our children gathering in the street to pull down the statues of the famous as they chant, “Carbon hog!” For will not contribution to the destruction of the planet ultimately be seen in the same light as colonialism, as the plunder and robbery of future generations?

logo

Make Sense of the World

Unique insight from 2,000+ contributors in 80+ Countries

Make Sense of the World
Unique insights from 2000+ contributors in 80+ countries

The emancipation of slaves was a radical act in 18th-century America. The Polish revolutionary Tadeusz Kosciuszko berated Jefferson — his friend — at length to free his slaves, and Jefferson ignored him because, just as Pence shrugged off Burr, he could. Jefferson certainly had mixed feelings about slavery, but he was able to maintain the contradiction in his life of slave ownership and sentiments like “all men are created equal” because popular opinion, as opposed to Kosciuszko’s opinion, allowed him to do so.

Future generations may feel the same way about our simultaneous recognition of the perils of climate change and our car ownership, air travel and use of air conditioning. Greta Thunberg, our generation’s Kosciuszko, similarly berates world leaders and with as little immediate impact.

Future generations may also look askance at our nationalism. Why do we believe that we owe debts of obligation to strangers who live within certain borders and not strangers who live outside those borders? How could we countenance the return of desperate migrants and refugees to, in many cases, their certain death?

And what about all the statues raised to military leaders? It seems rather ridiculous to honor men who oversaw the slaughter of others just because they were on the winning side. Future generations may well look at all the celebrated generals as so many mass murderers.

Speaking of mass murder, how will future generations feel about the millions of animals that we kill every day for our own consumption? Or even the millions that we own as pets? The list of potential blind spots is long indeed, and there are plenty of motes in my own eye. History is constantly evolving. There is no timeless art; there are no timeless values.

Everything reflects the moment of its production, from the American Constitution to the latest iteration of “Hamilton.” We are engaged in a long, collective conversation enlivened by a soundtrack of insightful speeches, catchy tunes and the rising roar of street protest. As for those future statues, I dearly hope that they are pulled down, defaced, disgraced. Because that would mean, in a future of superstorms and nuclear threats and periodic pandemics, that at least there are still people around to take them down.

*[This article was originally published by FPIF.]

The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy.

Share Story
CategoriesAmerican News, Culture, Insight, North America, Politics, US news, US politics news, World News TagsAaron Burr, Alexander Hamilton, American History, founding fathers, George Washington, Hamilton, Hamilton Broadway, Hamilton Disney, John Feffer, US history
Join our network of more than 2,000 contributors to publish your perspective, share your story and shape the global conversation. Become a Fair Observer and help us make sense of the world.

Post navigation

Previous PostPrevious Albania’s Ancient Blood Feuds Trap Entire Generations
Next PostNext Hate Makes More Money Than Love… and Moves Faster
Subscribe
Register for $9.99 per month and become a member today.
Publish
Join our community of more than 2,500 contributors to publish your perspective, share your narrative and shape the global discourse.
Donate
We bring you perspectives from around the world. Help us to inform and educate. Your donation is tax-deductible.

Explore

  • About
  • Authors
  • FO Store
  • FAQs
  • Republish
  • Privacy Policy
  • Terms of Use
  • Contact

Regions

  • Africa
  • Asia Pacific
  • Central & South Asia
  • Europe
  • Latin America & Caribbean
  • Middle East & North Africa
  • North America

Topics

  • Politics
  • Economics
  • Business
  • Culture
  • Environment
  • Global Change
  • International Security
  • Science

Sections

  • 360°
  • The Interview
  • In-Depth
  • Insight
  • Quick Read
  • Video
  • Podcasts
  • Interactive
  • My Voice

Daily Dispatch


© Fair Observer All rights reserved
We Need Your Consent
We use cookies to give you the best possible experience. Learn more about how we use cookies or edit your cookie preferences. Privacy Policy. My Options I Accept
Privacy & Cookies Policy

Edit Cookie Preferences

The Fair Observer website uses digital cookies so it can collect statistics on how many visitors come to the site, what content is viewed and for how long, and the general location of the computer network of the visitor. These statistics are collected and processed using the Google Analytics service. Fair Observer uses these aggregate statistics from website visits to help improve the content of the website and to provide regular reports to our current and future donors and funding organizations. The type of digital cookie information collected during your visit and any derived data cannot be used or combined with other information to personally identify you. Fair Observer does not use personal data collected from its website for advertising purposes or to market to you.

As a convenience to you, Fair Observer provides buttons that link to popular social media sites, called social sharing buttons, to help you share Fair Observer content and your comments and opinions about it on these social media sites. These social sharing buttons are provided by and are part of these social media sites. They may collect and use personal data as described in their respective policies. Fair Observer does not receive personal data from your use of these social sharing buttons. It is not necessary that you use these buttons to read Fair Observer content or to share on social media.

 
Necessary
Always Enabled

These cookies essential for the website to function.

Analytics

These cookies track our website’s performance and also help us to continuously improve the experience we provide to you.

Performance
Uncategorized

This cookie consists of the word “yes” to enable us to remember your acceptance of the site cookie notification, and prevents it from displaying to you in future.

Preferences
Save & Accept