Photo Features

Photo Features
Arts & Culture / earth art / land art

Rethinking "Land Art"

Unpublished
24 May 2013
Andres Amador • Christina Wenderoth
Balance. Copyright © Andres Amador
Balance. Copyright © Andres Amador
Flower of Life. Copyright © Andres Amador
Flower of Life. Copyright © Andres Amador
Impact. Copyright © Andres Amador.
Impact. Copyright © Andres Amador.
Mesh. Copyright © Andres Amador.
Mesh. Copyright © Andres Amador.
Ribbons. Copyright © Andres Amador.
Ribbons. Copyright © Andres Amador.
Sliceform. Copyright © Andres Amador.
Sliceform. Copyright © Andres Amador.
Featherlight (Federleicht). Copyright © Christina Wenderoth.
Featherlight (Federleicht). Copyright © Christina Wenderoth.
Heart-shaped dandelion (Herz-Pustelblume). Copyright © Christina Wenderoth.
Heart-shaped dandelion (Herz-Pustelblume). Copyright © Christina Wenderoth.
Europe / Arts & Culture / 360° Analysis / Annika Schall / Stroke Urban Art Fair 2013

In Pictures: Stroke Urban Art Fair 2013

3 May 2013
Annika Schall
Keyvisual for the Stroke 2013 by British artist FinDac. Copyright © Stroke
Keyvisual for the Stroke 2013 by British artist FinDac. Copyright © Stroke
Opening day at Munich's Praterinsel. Copyright © Stroke
Opening day at Munich's Praterinsel. Copyright © Stroke
Artwork done by Rodrigo Branco and Thiago Goms from Brazil. Copyright © Stroke
Artwork done by Rodrigo Branco and Thiago Goms from Brazil. Copyright © Stroke
C.A.V.E. Gallery from the USA. Copyright © Stroke
C.A.V.E. Gallery from the USA. Copyright © Stroke
Visitors taking pictures of the artwork displayed by Flash Gallery from Munich. Copyright © Stroke
Visitors taking pictures of the artwork displayed by Flash Gallery from Munich. Copyright © Stroke
Drawings by Nevercrew from Switzerland. Copyright © Stroke
Drawings by Nevercrew from Switzerland. Copyright © Stroke
Pretty Portal Gallery from Düsseldorf. Copyright © Stroke
Pretty Portal Gallery from Düsseldorf. Copyright © Stroke
Piece by Mexican Curiot. Copyright © Stroke
Piece by Mexican Curiot. Copyright © Stroke
Jack TML from Israel doing a graffiti. Copyright © Stroke
Jack TML from Israel doing a graffiti. Copyright © Stroke
Schwalbe & Schwalbe gallery from Munich. Copyright © Stroke
Schwalbe & Schwalbe gallery from Munich. Copyright © Stroke

This photo feature takes a glimpse at the STROKE in Munich 2013.

Since its initiation in 2009, the German STROKE Urban Art Fairhas developed into a key event for everyone interested in young, modern art. It is held twice each year with artists from all over the world showcasing their work in Munich in the spring, and in Berlin in autumn. Overall, 30 galleries and artists from all over the world will be exhibiting their work until May 5 on Munich’s Praterinsel.

Asia / Arts & Culture / 360° Analysis / Korean peninsula / North Korea / Pyongyang / South Korea

In Pictures: A Note from North Korea (Part 2)

1 May 2013
Michael Bassett
COPYRIGHT © MICHAEL BASSETT - The Korean Workers' Party (KWP) Foundation Monument in the capital of Pyongyang. It was completed under the rule of Kim Jung Il, and signifies a Stalinist vision of industrial, agricultural, and scholarly workers laboring in unison to build an independent nation.
COPYRIGHT © MICHAEL BASSETT - The Korean Workers' Party (KWP) Foundation Monument in the capital of Pyongyang. It was completed under the rule of Kim Jung Il, and signifies a Stalinist vision of industrial, agricultural, and scholarly workers laboring in unison to build an independent nation.
COPYRIGHT © MICHAEL BASSETT - A mural on the wall of a showcase station in the Pyongyang Metro — a pictorial lesson of the history of the construction of the Pyongyang Metro system. It displays a procession of laborers led by an engineer and an architect. In the background, steel factories that bellow steam and rail cars for the transport of raw materials that are waiting in line are depicted.
COPYRIGHT © MICHAEL BASSETT - A mural on the wall of a showcase station in the Pyongyang Metro — a pictorial lesson of the history of the construction of the Pyongyang Metro system. It displays a procession of laborers led by an engineer and an architect. In the background, steel factories that bellow steam and rail cars for the transport of raw materials that are waiting in line are depicted.
COPYRIGHT © MICHAEL BASSETT - A typical example of a billboard that promotes the unification of the Korean Peninsula which can be found throughout North Korea. This particular billboard depicted was posted in the southern North Korean city of Panmunjom, close to the De-Militarized Zone (DMZ).
COPYRIGHT © MICHAEL BASSETT - A typical example of a billboard that promotes the unification of the Korean Peninsula which can be found throughout North Korea. This particular billboard depicted was posted in the southern North Korean city of Panmunjom, close to the De-Militarized Zone (DMZ).
COPYRIGHT © MICHAEL BASSETT - A mural in the Railway Museum in Pyongyang. It represents the triumph that North Koreans felt after achieving independence from Japan through resistance, and by fighting United States and United Nations' forces to a draw on the Korean Peninsula. North Korean pride in the infrastructural development of their country after years of war is depicted by the simple rail cart used by Kim Il Sung during World War II to the laying of the country's railways.
COPYRIGHT © MICHAEL BASSETT - A mural in the Railway Museum in Pyongyang. It represents the triumph that North Koreans felt after achieving independence from Japan through resistance, and by fighting United States and United Nations' forces to a draw on the Korean Peninsula. North Korean pride in the infrastructural development of their country after years of war is depicted by the simple rail cart used by Kim Il Sung during World War II to the laying of the country's railways.
COPYRIGHT © MICHAEL BASSETT - A statue of Kim Il Sung that was erected to overlook the southwestern North Korean city of Kaesong, in the Special Economic Zone of the Kaesong Industrial Region — jointly administered by North and South Korea. The photo was taken on the same day that the North Korean government forced workers from South Korea out of the Special Economic Zone during a periodic of diplomatic brinksmanship between the countries.
COPYRIGHT © MICHAEL BASSETT - A statue of Kim Il Sung that was erected to overlook the southwestern North Korean city of Kaesong, in the Special Economic Zone of the Kaesong Industrial Region — jointly administered by North and South Korea. The photo was taken on the same day that the North Korean government forced workers from South Korea out of the Special Economic Zone during a periodic of diplomatic brinksmanship between the countries.
COPYRIGHT © MICHAEL BASSETT - A scene crafted onto the side of a monument celebrating Kim Il Sung and Kim Jung Il in the Korean Workers' Party (KWP) Foundation Park in Pyongyang. It depicts the union of the labor of soldiers, agriculture and industrial workers, and scholars.
COPYRIGHT © MICHAEL BASSETT - A scene crafted onto the side of a monument celebrating Kim Il Sung and Kim Jung Il in the Korean Workers' Party (KWP) Foundation Park in Pyongyang. It depicts the union of the labor of soldiers, agriculture and industrial workers, and scholars.
COPYRIGHT © MICHAEL BASSETT - The Juche Tower by night in Pyongyang. The Juche ideology that guides North Korean society emphasizes self-reliance, self-sufficiency, self-defense, and survival against a hostile outside world.
COPYRIGHT © MICHAEL BASSETT - The Juche Tower by night in Pyongyang. The Juche ideology that guides North Korean society emphasizes self-reliance, self-sufficiency, self-defense, and survival against a hostile outside world.
COPYRIGHT © MICHAEL BASSETT - A billboard with a typical message found throughout North Korea: "Under the Leadership of the Dear Leader." The photo was taken near Pyongyang.
COPYRIGHT © MICHAEL BASSETT - A billboard with a typical message found throughout North Korea: "Under the Leadership of the Dear Leader." The photo was taken near Pyongyang.
COPYRIGHT © MICHAEL BASSETT - A mural, painted on the wall of a popular resort at Mount Myohyang in the central region of the country. It is meant to depict the Kim family's great love of the North Korean countryside, and particularly its majestic mountains.
COPYRIGHT © MICHAEL BASSETT - A mural, painted on the wall of a popular resort at Mount Myohyang in the central region of the country. It is meant to depict the Kim family's great love of the North Korean countryside, and particularly its majestic mountains.
COPYRIGHT © MICHAEL BASSETT - A billboard with a typical message found throughout the country which exhorts the North Korean people to seek "Single-Minded Unity, Strength in National Defense," and independence against the outside world through self-determination and self-reliance. The photo was taken near Pyongyang.
COPYRIGHT © MICHAEL BASSETT - A billboard with a typical message found throughout the country which exhorts the North Korean people to seek "Single-Minded Unity, Strength in National Defense," and independence against the outside world through self-determination and self-reliance. The photo was taken near Pyongyang.
COPYRIGHT © MICHAEL BASSETT - North Koreans chatting in a public square, in the city of Kaesong that commemorates the history of the Korean Peninsula. The monuments in the square depict an ancient printing press and pottery center.
COPYRIGHT © MICHAEL BASSETT - North Koreans chatting in a public square, in the city of Kaesong that commemorates the history of the Korean Peninsula. The monuments in the square depict an ancient printing press and pottery center.
COPYRIGHT © MICHAEL BASSETT - A mural in the Ancient Artifact Museum in Kaesong City that depicts Korean warriors resisting the invasion of Chinese and Japanese armies in battles fought two thousand years ago. North Koreans are strongly encouraged to be proud of their peoples' history and to glorify the act of self-defense against hostile foreign enemies.
COPYRIGHT © MICHAEL BASSETT - A mural in the Ancient Artifact Museum in Kaesong City that depicts Korean warriors resisting the invasion of Chinese and Japanese armies in battles fought two thousand years ago. North Koreans are strongly encouraged to be proud of their peoples' history and to glorify the act of self-defense against hostile foreign enemies.
COPYRIGHT © MICHAEL BASSETT - A billboard in Pyongyang that praises Kim Il Sung and promotes the unity of the Korean people.
COPYRIGHT © MICHAEL BASSETT - A billboard in Pyongyang that praises Kim Il Sung and promotes the unity of the Korean people.
COPYRIGHT © MICHAEL BASSETT - The Unification Monument near Kaseong City, on the road to the DMZ that all travelers going south must pass under. The monument is a symbol of Kim Il Sung's desire that North Koreans will lead the unification of the entire Korean Peninsula.
COPYRIGHT © MICHAEL BASSETT - The Unification Monument near Kaseong City, on the road to the DMZ that all travelers going south must pass under. The monument is a symbol of Kim Il Sung's desire that North Koreans will lead the unification of the entire Korean Peninsula.
COPYRIGHT © MICHAEL BASSETT - A small statue in a monument park near Pyongyang. It is a tribute to the military struggle of the North Korean People's Army against the Japanese, and later the United States and United Nations' forces during the Korean War (1950-1953).
COPYRIGHT © MICHAEL BASSETT - A small statue in a monument park near Pyongyang. It is a tribute to the military struggle of the North Korean People's Army against the Japanese, and later the United States and United Nations' forces during the Korean War (1950-1953).

Read Michael Bassett's article, "Beyond Brinksmanship: An Analysis of the Asia Pivot Strategy".

View "In Pictures: A Note From North Korea (Part 1)".

Asia / Politics / Global Security / 360° Analysis / North Korea / Pyongyang

In Pictures: A Note from North Korea (Part 1)

12 April 2013
Michael Bassett
Copyright © Michael Bassett - Workers at the Water Bottling Plant near the central-western coastal city of Nampho. The workers are harvesting the fields around the plant, which produces mineral water considered to be the "San Pellagrino" of North Korea — it was recently closed for unknown reasons.
Copyright © Michael Bassett - Workers at the Water Bottling Plant near the central-western coastal city of Nampho. The workers are harvesting the fields around the plant, which produces mineral water considered to be the "San Pellagrino" of North Korea — it was recently closed for unknown reasons.
Copyright © Michael Bassett - A hut in the Sariwan Folk Village near Pyongyang where Kim il Sung lived for most of his childhood. The site is a popular tourist destination for North Koreans, a place to be married, and is said to represent the humility and affinity for the countryside that is held by most citizens.
Copyright © Michael Bassett - A hut in the Sariwan Folk Village near Pyongyang where Kim il Sung lived for most of his childhood. The site is a popular tourist destination for North Koreans, a place to be married, and is said to represent the humility and affinity for the countryside that is held by most citizens.
Copyright © Michael Bassett - A monument at a co-operative farm near the city of Nampho. It depicts Kim il Sung surrounded by young and old workers and a soldier, and it is a reminder to North Koreans of the sacrifice and honor of people coming together for agriculture to sustain their nation.
Copyright © Michael Bassett - A monument at a co-operative farm near the city of Nampho. It depicts Kim il Sung surrounded by young and old workers and a soldier, and it is a reminder to North Koreans of the sacrifice and honor of people coming together for agriculture to sustain their nation.
Copyright © Michael Bassett - An ancient Buddhist temple near Mount Myohyang in the central region of the country. The temple, a popular destination for North Koreans, was badly damaged during the Japanese occupation (1905-1945) and Korean War (1950-1953), and is an especially painful reminder of the trauma suffered by North Koreans during the 20th Century.
Copyright © Michael Bassett - An ancient Buddhist temple near Mount Myohyang in the central region of the country. The temple, a popular destination for North Koreans, was badly damaged during the Japanese occupation (1905-1945) and Korean War (1950-1953), and is an especially painful reminder of the trauma suffered by North Koreans during the 20th Century.
Copyright © Michael Bassett - A still-shot of a video played at the tourist center at West Sea Barrage, near the city of Nampho. The port is a symbol of national pride for North Koreans, and serves as a major port for trade during periods when North Korea is under fewer international sanctions.
Copyright © Michael Bassett - A still-shot of a video played at the tourist center at West Sea Barrage, near the city of Nampho. The port is a symbol of national pride for North Koreans, and serves as a major port for trade during periods when North Korea is under fewer international sanctions.
Copyright © Michael Bassett - A co-operative farming community on the road to Mount Myohyang. The community is a typical one that is found throughout North Korea. Often lacking hot water and electricity for many hours a day, they are symbolic of the Juche ideology that emphasizes nationalistic spirit and self-sufficiency.
Copyright © Michael Bassett - A co-operative farming community on the road to Mount Myohyang. The community is a typical one that is found throughout North Korea. Often lacking hot water and electricity for many hours a day, they are symbolic of the Juche ideology that emphasizes nationalistic spirit and self-sufficiency.
Copyright © Michael Bassett - A North Korean couple getting married in an ancient Buddhist temple near the southern city of Kaesong, close to the South Korean border. North Korea is a society that places great value on its traditions, such as this Buddhist wedding. The society pays deep respect to the history of the Korean people as an inseparable part of present and future life.
Copyright © Michael Bassett - A North Korean couple getting married in an ancient Buddhist temple near the southern city of Kaesong, close to the South Korean border. North Korea is a society that places great value on its traditions, such as this Buddhist wedding. The society pays deep respect to the history of the Korean people as an inseparable part of present and future life.
Copyright © Michael Bassett - A picture of soldiers working on a collective farm near Kaesong. The picture depicts the important role of the North Korean military as both defenders and developers of the country; a position that may receive greater emphasis under the tutelage of Jang Sang Taek, a once-purged technocrat who is now one of Kim Jung-Un's closest advisers.
Copyright © Michael Bassett - A picture of soldiers working on a collective farm near Kaesong. The picture depicts the important role of the North Korean military as both defenders and developers of the country; a position that may receive greater emphasis under the tutelage of Jang Sang Taek, a once-purged technocrat who is now one of Kim Jung-Un's closest advisers.
Copyright © Michael Bassett - Image of a road that travels from Kaesong towards the De-Militarized Zone (DMZ) with South Korea. It is not uncommon for North Koreans to walk an hour or more to work, as the people walking on the side of the road in the picture are doing because of fuel shortages as a result of sanctions or the lack of transportation other than bikes, cattle cars, or army trucks in the countryside.
Copyright © Michael Bassett - Image of a road that travels from Kaesong towards the De-Militarized Zone (DMZ) with South Korea. It is not uncommon for North Koreans to walk an hour or more to work, as the people walking on the side of the road in the picture are doing because of fuel shortages as a result of sanctions or the lack of transportation other than bikes, cattle cars, or army trucks in the countryside.
Copyright © Michael Bassett - The first train cart used by Kim il Sung and his wife during their revolutionary struggle against the Japanese, which is kept at the Railway Museum in Pyongyang. The museum is a popular destination for North Koreans, and this cart is an important symbol of Juche ideology by reminding North Koreans to be determined and strong against all challenges, whether local or foreign.
Copyright © Michael Bassett - The first train cart used by Kim il Sung and his wife during their revolutionary struggle against the Japanese, which is kept at the Railway Museum in Pyongyang. The museum is a popular destination for North Koreans, and this cart is an important symbol of Juche ideology by reminding North Koreans to be determined and strong against all challenges, whether local or foreign.

Read Michael Bassett's article, "A Note from North Korea: Rhetoric and Realities".

View "In Pictures: A Note From North Korea (Part 2).

Arts & Culture / 360° Analysis / Art / Graffiti / Street Art / Vandalism / violence

El Bocho: Signifying Violence

22 January 2013
El Bocho
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.
COPYRIGHT © EL BOCHO. ALL RIGHTS RESERVED.

To Read the interview "El Bocho: Signifying Violence", click here. 

Asia / Politics / 360° Analysis / Burma / IDP camps / Kachin state / Myanmar / Transition

Kachins Of Burma: And The Struggle Continues…

16 January 2013
Patrick Chesnet
Despite the harsh prevailing camp conditions, volontary teachers and organisatio
Despite the harsh prevailing camp conditions, volontary teachers and organisations like Unicef are attentive for the children's education © PATRICK CHESNET
A "street" in a Kachin IDP camp. Built on the same model, each house encompasses
A "street" in a Kachin IDP camp. Built on the same model, each house encompasses about 10 square meters and is designed for five people © PATRICK CHESNET
The background of an IDP house. Even in these difficult conditions the daily lif
The backside of an IDP house. Even under difficult conditions the daily life goes on © PATRICK CHESNET
Food has become the major problem in the IDPs' camps. The rations given by the W
Food has become a major problem in the IDP camps. The rations given by the WFP are not enough to feed everybody's stomach © PATRICK CHESNET
What will be the future of these Kachin kids? Being brought up in an IDP's camp
What will the future of these Kachin children look like? Being raised in an IDP camp is not a proper place to grow up © PATRICK CHESNET
Despite the harsh conditions prevailing in the camps, the education of the child
What is the future prospect of these Kachin children? IDP camps are not qite an appropriate place to grow up © PATRICK CHESNET
Water is one of the biggest problems faced in the camps. These well and waterpom
Water is one of the biggest problems faced in the camps. These well and waterpomp were donated by the British people through UKAid © PATRICK CHESNET
The "Knitting Club". Knitting gives the opportunty for Kachin women to socialize
The "Knitting Club". Knitting provides the opportunity for Kachin women to socialize as well as to earn some money © PATRICK CHESNET
Grandmother and grandson. Women and children form the great majority of IDPs.
Grandmother and grandson. Women and children shape the vast majority of IDP camps © PATRICK CHESNET
While some IDPs camps are home to a 100 persons or less, some camps may housed o
While some IDPs camps are home about 100 persons, some camps accomodate over 1 000 people © PATRICK CHESNET
Wells had to be digged and waterpomps had to be placed quickly in order to fulfi
Wells had to be digged and waterpomps had to be placed quickly to meet the needs of hundreds © PATRICK CHESNET
Homesickness, boredom are common in the IDPs' camps
Homesickness, boredom are common in the IDPs' camps © PATRICK CHESNET
An IDPs' camp "market" where some vegetable are being sold to improve the ration
An IDPs' camp "market" where vegetables are sold to allocate the rations of rice given by the World Food Program of the UN © PATRICK CHESNET
The IDPs have lost all their properties and now depend heavily on the outside he
IDPs have lost all their properties and now rely heavily on external help © PATRICK CHESNET

 

United States / Europe / BRIC / Middle East / Americas / Africa / Asia / Oceania / Arts & Culture / 360° Analysis

Loomit: From Crime to Fame

15 January 2013
Mathias Köhler a.k.a. Loomit
Prag 2008 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Prag 2008 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Shanghai 2010 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Shanghai 2010 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Los Angeles 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Los Angeles 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Pristina Kosovo 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Pristina Kosovo 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Mumbay 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Mumbay 2011 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Bogota-Bayern // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Bogota-Bayern // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Caracas - Lalocha // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Caracas - Lalocha // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Chevron // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Chevron // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Kapstadt Khayelitsha // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Kapstadt Khayelitsha // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Sao Paolo 1999 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.
Sao Paolo 1999 // COPYRIGHT © LOOMIT. ALL RIGHTS RESERVED.

 

United States / Europe / BRIC / Middle East / Americas / Africa / Asia / Oceania / Politics / Finance & Economics / Global Change / Arts & Culture / Business & Entrepreneurship / Global Security / Science & Technology / Health / Environment & Sustainability / 360° Analysis

Fair Observer: The Year in Pictures

30 December 2012
Fair Observer
Since January 2012, Mali has been embroiled in political conflict which has resulted in a humanitarian crisis in the region; one that poses a threat to international security. (Image Source: Creative Commons - Amin2511)
Since January 2012, Mali has been embroiled in political conflict which has resulted in a humanitarian crisis in the region; one that poses a threat to international security. (Image Source: Creative Commons - Amin2511)
The Syrian Civil War continues to rage on as 2013 approaches. Here, an opposition fighter takes aim at regime forces al-Qsair, Syria. (Image Source: Creative Commons - Freedom House)
The Syrian Civil War continues to rage on as 2013 approaches. Here, an opposition fighter takes aim at regime forces al-Qsair, Syria. (Image Source: Creative Commons - Freedom House)
Joseph Kony, the leader of a Ugandan guerilla group, became famous overnight thanks to a campaign aimed at bringing him to justice before the end of the year. Fair Observer's Africa desk analyzed the Kony 2012 campaign with a 360 on the issue. (Image Source: Creative Commons - roberttraines)
Joseph Kony, the leader of a Ugandan guerilla group, became famous overnight thanks to a campaign aimed at bringing him to justice before the end of the year. Fair Observer's Africa desk analyzed the Kony 2012 campaign with a 360 on the issue. (Image Source: Creative Commons - roberttraines)
As Europe continues to grapple with a financial crisis, May 2012 saw the election of a new French president: Francois Hollande. (Image Source: Creative Commons - jmayrault)
As Europe continues to grapple with a financial crisis, May 2012 saw the election of a new French president: Francois Hollande. (Image Source: Creative Commons - jmayrault)
Egypt has seen a year of political instability shaped by protests, elections and a power struggle. Mohammed Morsi was elected in June as the country's new president following Hosni Mubarak's ouster in 2011. (Source: Creative Commons - Moe Adel)
Egypt has seen a year of political instability shaped by protests, elections and a power struggle. Mohammed Morsi was elected in June as the country's new president following Hosni Mubarak's ouster in 2011. (Source: Creative Commons - Moe Adel)
Julian Assange will most likely begin the New Year as he ends 2012: inside the Ecuadorian Embassy in London. The Wikileaks founder has been at the embassy for over 6 months as he battles a pending extradition. (Source: Creative Commons - Abode of Chaos)
Julian Assange will most likely begin the New Year as he ends 2012: inside the Ecuadorian Embassy in London. The Wikileaks founder has been at the embassy for over 6 months as he battles a pending extradition. (Source: Creative Commons - Abode of Chaos)
Prakash Chand Katoch, in an article for Fair Observer, argued that the Indian government acted against the interests of the country by agreeing to a deal with Pakistan according to which it would withdraw troops from the Siachen Glacier. (Source: Creative Commons - Muhammad Ali Mir)
Prakash Chand Katoch, in an article for Fair Observer, argued that the Indian government acted against the interests of the country by agreeing to a deal with Pakistan according to which it would withdraw troops from the Siachen Glacier. (Source: Creative Commons - Muhammad Ali Mir)
In an article for Fair Observer, Gunnar Beck argued that Germany has suffered immensely because of the euro and supporting failing European economies like Greece is against its self-interest. (Source: Creative Commons - World Economic Forum)
In an article for Fair Observer, Gunnar Beck argued that Germany has suffered immensely because of the euro and supporting failing European economies like Greece is against its self-interest. (Source: Creative Commons - World Economic Forum)
Tension increased in 2012 between China and its neighbours over territorial disputes. Fair Observer covered the affair with various analyses, helping you to make sense of the world. (Source: Creative Commons - Al Jazeera English)
Tension increased in 2012 between China and its neighbours over territorial disputes. Fair Observer covered the affair with various analyses, helping you to make sense of the world. (Source: Creative Commons - Al Jazeera English)
A Russian appeal court upheld the jail sentence for two members of the punk band Pussy Riot, who were convicted of "hooliganism motivated by religious hatred". (Source: Creative Commons - CEA)
A Russian appeal court upheld the jail sentence for two members of the punk band Pussy Riot, who were convicted of "hooliganism motivated by religious hatred". (Source: Creative Commons - CEA)
Venezuela saw the re-election of Hugo Chavez for his third term in office, as the president battles cancer. (Source: Creative Commons - Globovision)
Venezuela saw the re-election of Hugo Chavez for his third term in office, as the president battles cancer. (Source: Creative Commons - Globovision)
In November, Barack Obama was re-elected for a second term in office after beating Republican candidate Mitt Romney. Fair Observer was at the forefront with various analyses covering the US presidential election. (Source: Creative Commons - Cain and Todd Benson)
In November, Barack Obama was re-elected for a second term in office after beating Republican candidate Mitt Romney. Fair Observer was at the forefront with various analyses covering the US presidential election. (Source: Creative Commons - Cain and Todd Benson)
Gaza was once again at the forefront of Middle East issues with a new round of conflict between Israel and Hamas. Mediation efforts by Egypt and the US culminated in an uneasy ceasefire. (Source: Creative Commons - Israel Defense Forces)
Gaza was once again at the forefront of Middle East issues with a new round of conflict between Israel and Hamas. Mediation efforts by Egypt and the US culminated in an uneasy ceasefire. (Source: Creative Commons - Israel Defense Forces)
November 2012 marked an historical moment at the United Nations with the General Assembly's recognition of Palestine as a non-member observer state. (Source: Creative Commons - Norway UN-New York)
November 2012 marked an historical moment at the United Nations with the General Assembly's recognition of Palestine as a non-member observer state. (Source: Creative Commons - Norway UN-New York)
December 21, 2012, was said to be the end of the world according to some interpretations of the Maya "Long Calendar Count". Fair Observer's Arts & Culture desk ran an extensive 360 Analysis covering "The 2012 Phenomenon". (Source: Creative Commons - Coreforce)
December 21, 2012, was said to be the end of the world according to some interpretations of the Maya "Long Calendar Count". Fair Observer's Arts & Culture desk ran an extensive 360 Analysis covering "The 2012 Phenomenon". (Source: Creative Commons - Coreforce)
United States / Europe / BRIC / Middle East / Americas / Africa / Asia / Oceania / Arts & Culture / 360° Analysis

Faith47: Sea to Sea

26 December 2012
Faith 47
The Transformation of the Ego. Wuhan, China 2012 // Copyright © Faith47. All Rights Reserved.
The Transformation of the Ego. Wuhan, China 2012 // Copyright © Faith47. All Rights Reserved.
Rhapsody. Rochester, America 2012. // Copyright © Faith47. All Rights Reserved.
Rhapsody. Rochester, America 2012. // Copyright © Faith47. All Rights Reserved.
The Progress of the Truth of Men. Champagne, France 2012. // Copyright © Faith47. All Rights Reserved.
The Progress of the Truth of Men. Champagne, France 2012. // Copyright © Faith47. All Rights Reserved.
The Taming of the Beasts. Shanghai, China 2012. // Copyright © Faith47. All Rights Reserved.
The Taming of the Beasts. Shanghai, China 2012. // Copyright © Faith47. All Rights Reserved.
The Taming of the Beasts. Shanghai, China 2012. // Copyright © Faith47. All Rights Reserved.
The Taming of the Beasts. Shanghai, China 2012. // Copyright © Faith47. All Rights Reserved.
The Weight of Air. New York 2012. // Copyright © Faith47. All Rights Reserved.
The Weight of Air. New York 2012. // Copyright © Faith47. All Rights Reserved.
As Above so Below. France 2011. // Copyright © Faith47. All Rights Reserved.
As Above so Below. France 2011. // Copyright © Faith47. All Rights Reserved.
Installation for a Group Show in Stockholm 2012. // Copyright © Faith47. All Rights Reserved.
Installation for a Group Show in Stockholm 2012. // Copyright © Faith47. All Rights Reserved.
The Long Wait. Johannesburg, South Africa 2012. // Copyright © Faith47. All Rights Reserved.
The Long Wait. Johannesburg, South Africa 2012. // Copyright © Faith47. All Rights Reserved.
The Progress of the Truth of Men. Champagne, France 2012. // Copyright © Faith47. All Rights Reserved.
The Progress of the Truth of Men. Champagne, France 2012. // Copyright © Faith47. All Rights Reserved.
Wake up and Fight or Bow Down and Pray. Oil on Wood 48x33cm. // Copyright © Faith47. All Rights Reserved.
Wake up and Fight or Bow Down and Pray. Oil on Wood 48x33cm. // Copyright © Faith47. All Rights Reserved.
Power and Enlargement Specialists. Oil on Wood 77x110cm. // Copyright © Faith47. All Rights Reserved.
Power and Enlargement Specialists. Oil on Wood 77x110cm. // Copyright © Faith47. All Rights Reserved.

Faith 47 is a self taught street artist from South Africa. She is best known for her street art not only in South African cities such as Cape Town and Johannesburg, but also all over the world.  A lot of her urban art is done in abandoned, broken down places where it contrasts with its environment very well and where the fragility and impermanence of art in public spaces is highlighted. Apart from her street art she is also doing studio work which has been exhibited in galleries all across the globe.

United States / Europe / Middle East / Arts & Culture / 360° Analysis

Graffiti, Meet Arabic Calligraphy

17 December 2012
Megan Bénéat-Donald
The Artist. // Copyright © Megan Beneat-Donald. All Rights Reserved.
The Artist. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Balance is a collaboration with French Graffiti Hest1: a reference to the 'good life', which is grounded in the balance of an individuals' character. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Balance is a collaboration with French Graffiti Hest1: a reference to the 'good life', which is grounded in the balance of an individuals' character. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Respect your elders. Disposable, fast-track cultures seldom give us time to reflect on the importance of generational ties and real human relationships. This piece is a reminder to remember our elders. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Respect your elders. Disposable, fast-track cultures seldom give us time to reflect on the importance of generational ties and real human relationships. This piece is a reminder to remember our elders. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
You May Win, But You Will Not Convince is a translation of the famous words immortalized by Miguel de Unamuno, referring to the inevitable conquering and occupation of land and resources, and the persistent resistance of the heart and mind of the occupied. Location: Frankfurt, Germany. // Copyright © Megan Beneat-Donald. All Rights Reserved.
You May Win, But You Will Not Convince is a translation of the famous words immortalized by Miguel de Unamuno, referring to the inevitable conquering and occupation of land and resources, and the persistent resistance of the heart and mind of the occupied. Location: Frankfurt, Germany. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Writing History is a mural painted in Tunisia's famous city of Kairouan. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Writing History is a mural painted in Tunisia's famous city of Kairouan. // Copyright © Megan Beneat-Donald. All Rights Reserved.
It Is Impossible Until It Is Done is a mural painted in Cape Town, South Africa - speaking to the power of hope. // Copyright © Megan Beneat-Donald. All Rights Reserved.
It Is Impossible Until It Is Done is a mural painted in Cape Town, South Africa - speaking to the power of hope. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Bled Art is a mural painted in one of Montreal's abandoned factories. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Bled Art is a mural painted in one of Montreal's abandoned factories. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Open Your Heart is a mural in response to xenophobia and racism. Location: Paris, France. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Open Your Heart is a mural in response to xenophobia and racism. Location: Paris, France. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Ismi Philistine is a stained glass-inspired creation. Palestine has come to represent war and struggle for justice. Along the way, outsiders have forgotten its' amazing culture, traditions and positive elements. This piece is in homage to those positive elements. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Ismi Philistine is a stained glass-inspired creation. Palestine has come to represent war and struggle for justice. Along the way, outsiders have forgotten its' amazing culture, traditions and positive elements. This piece is in homage to those positive elements. Location: Montreal, Canada. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Travelling Is The Balance Of The Manners stands as a reminder that travel is a fundamental part of education: opening the mind and softening the heart. Location: Melbourne, Australia. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Travelling Is The Balance Of The Manners stands as a reminder that travel is a fundamental part of education: opening the mind and softening the heart. Location: Melbourne, Australia. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Gabes Mural side 1. The the first side of the Jara Mosque minaret painted by eL Seed. Located in the southern industrial town of Gabes, this gargantuan project was completed during Ramadan 2012 on Tunisia's tallest minaret. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Gabes Mural side 1. The the first side of the Jara Mosque minaret painted by eL Seed. Located in the southern industrial town of Gabes, this gargantuan project was completed during Ramadan 2012 on Tunisia's tallest minaret. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Gabes Mural side 2. The second side of the Jara Mosque minaret paint by eL Seed. Located in the southern industrial town of Gabes, this gargantuan project was completed during Ramadan 2012 on Tunisia's tallest minaret. // Copyright © Megan Beneat-Donald. All Rights Reserved.
Gabes Mural side 2. The second side of the Jara Mosque minaret paint by eL Seed. Located in the southern industrial town of Gabes, this gargantuan project was completed during Ramadan 2012 on Tunisia's tallest minaret. // Copyright © Megan Beneat-Donald. All Rights Reserved.
The Sun Rose Behind The Centuries is a mural inspired by Tunisian poet Abu Al Qassim Acchabi. Location: Tunis, Tunisia. // Copyright © Megan Beneat-Donald. All Rights Reserved.
The Sun Rose Behind The Centuries is a mural inspired by Tunisian poet Abu Al Qassim Acchabi. Location: Tunis, Tunisia. // Copyright © Megan Beneat-Donald. All Rights Reserved.
History is a mural painted in Tunis in honour of the revolts and the trigger-memories that inspired the movement to topple corruption. // Copyright © Megan Beneat-Donald. All Rights Reserved.
History is a mural painted in Tunis in honour of the revolts and the trigger-memories that inspired the movement to topple corruption. // Copyright © Megan Beneat-Donald. All Rights Reserved.
eL Seed Solo Exhibit. A photo from eL Seed's current solo exhibit in Paris at Galerie Itinerrance. // Copyright © Megan Beneat-Donald. All Rights Reserved.
eL Seed Solo Exhibit. A photo from eL Seed's current solo exhibit in Paris at Galerie Itinerrance. // Copyright © Megan Beneat-Donald. All Rights Reserved.

Read the article "Graffiti, Meet Arabic Calligraphy".

United States / Arts & Culture / 360° Analysis

The Mission District: San Francisco’s Street Art

16 December 2012
Annika Schall • Hanna Wolf
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Hanna Wolf. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.
Copyright © Annika Schall. All Rights Reserved.

Read the article "The Mission District: San Francisco’s Street Art".

Europe / Arts & Culture / 360° Analysis

Peintre X: Reframing The Streets

13 December 2012
Annika Schall
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.
Copyright © Peintre X. All Rights Reserved.

Read the article, Peintre X: Reframing The Streets, here.

Africa / Arts & Culture / Focus Article / Madagascar / poverty

Harvesting Happiness in Poverty: Impressions of Madagascar

26 November 2012
Felix Haas
A girl in Antananarivo holding a bottle of water that she had asked me for. This picture was used in 2007 for a Y-Care International (an offshoot of the YMCA) Emergency Appeal. // Copyright © Felix Haas. All Rights Reserved.
A girl in Antananarivo holding a bottle of water that she had asked me for. This picture was used in 2007 for a Y-Care International (an offshoot of the YMCA) Emergency Appeal. // Copyright © Felix Haas. All Rights Reserved.
I took this picture at a road stop somewhere between Antananarivo and Mahajanga. You can see the red layers of sediment behind the girl. Sadly, driving across an island which was once covered by thick rain forest one now sees bare plains of burned land and red turf. Malagasy farmers have burned and cut down most of the islands forests in order to make way for their rice fields. For this reason Madagascar is now called the "Red Island". // Copyright © Felix Haas. All Rights Reserved.
I took this picture at a road stop somewhere between Antananarivo and Mahajanga. You can see the red layers of sediment behind the girl. Sadly, driving across an island which was once covered by thick rain forest one now sees bare plains of burned land and red turf. Malagasy farmers have burned and cut down most of the islands forests in order to make way for their rice fields. For this reason Madagascar is now called the "Red Island". // Copyright © Felix Haas. All Rights Reserved.
Children playing in one of the many ship wrecks on the beach of the fishers quarter in Mahajanga. The smallest one of them would not stop crying once he saw me so I had to leave them to themselves. // Copyright © Felix Haas. All Rights Reserved.
Children playing in one of the many ship wrecks on the beach of the fishers quarter in Mahajanga. The smallest one of them would not stop crying once he saw me so I had to leave them to themselves. // Copyright © Felix Haas. All Rights Reserved.
A boy with his pet somewhere near the market in Antsirabe. // Copyright © Felix Haas. All Rights Reserved.
A boy with his pet somewhere near the market in Antsirabe. // Copyright © Felix Haas. All Rights Reserved.
After taking this picture of a girl in Antsirabe, I approached her to show her the outcome. Her mother had come out of the house too and would not understand why I could not leave her a copy. // Copyright © Felix Haas. All Rights Reserved.
After taking this picture of a girl in Antsirabe, I approached her to show her the outcome. Her mother had come out of the house too and would not understand why I could not leave her a copy. // Copyright © Felix Haas. All Rights Reserved.
A girl at the "turning of the bones" in Antsirabe. The whole village gathers around a family that is to exhume the bones of their family members. In a procession that starts at the family house and ends at the family tomb, the whole village dances to the hypnotic tunes of a small band. People dance, drink and cry. The remains are taken out, turned and returned to their resting place. The whole ceremony is undergone in a strange mixture of gloominess and ecstasy. // Copyright © Felix Haas. ARR.
A girl at the "turning of the bones" in Antsirabe. The whole village gathers around a family that is to exhume the bones of their family members. In a procession that starts at the family house and ends at the family tomb, the whole village dances to the hypnotic tunes of a small band. People dance, drink and cry. The remains are taken out, turned and returned to their resting place. The whole ceremony is undergone in a strange mixture of gloominess and ecstasy. // Copyright © Felix Haas. ARR.
A girl near the bus terminal in Fianarantsoa. // Copyright © Felix Haas. All Rights Reserved.
A girl near the bus terminal in Fianarantsoa. // Copyright © Felix Haas. All Rights Reserved.
A woman in Anakao, the very south of Madagascar, carrying her child. Many women on the island wear a thick paste on their faces to protect their skin from the sun. // Copyright © Felix Haas. All Rights Reserved.
A woman in Anakao, the very south of Madagascar, carrying her child. Many women on the island wear a thick paste on their faces to protect their skin from the sun. // Copyright © Felix Haas. All Rights Reserved.
A girl in a village somewhere in the Andringitra Mountains. She is carrying one of her smaller siblings on her back. // Copyright © Felix Haas. All Rights Reserved.
A girl in a village somewhere in the Andringitra Mountains. She is carrying one of her smaller siblings on her back. // Copyright © Felix Haas. All Rights Reserved.
One of the many porters we had to hire before we were allowed to ascend to the 2.658m peak of Madagascar's second highest mountain Pic Boby. // Copyright © Felix Haas. All Rights Reserved.
One of the many porters we had to hire before we were allowed to ascend to the 2.658m peak of Madagascar's second highest mountain Pic Boby. // Copyright © Felix Haas. All Rights Reserved.
Children greeting us after descending from the high plains of the Andringitra Mountains. // Copyright © Felix Haas. All Rights Reserved.
Children greeting us after descending from the high plains of the Andringitra Mountains. // Copyright © Felix Haas. All Rights Reserved.
A little girl in a group of children somewhere in the Andringitra Mountains. // Copyright © Felix Haas. All Rights Reserved.
A little girl in a group of children somewhere in the Andringitra Mountains. // Copyright © Felix Haas. All Rights Reserved.
I found this small boy on one of the ground steps leading up to the hills bordering the city center of the capital Antananarivo. I was walking past him when his wailing and sobbing made me stop and give him the banana I was holding. He stopped crying and eventually started pealing the fruit. // Copyright © Felix Haas. All Rights Reserved.
I found this small boy on one of the ground steps leading up to the hills bordering the city center of the capital Antananarivo. I was walking past him when his wailing and sobbing made me stop and give him the banana I was holding. He stopped crying and eventually started pealing the fruit. // Copyright © Felix Haas. All Rights Reserved.
This is not someone that my camera found, but rather this man found my camera. He stopped me walking by and insisted I take a picture of him. He was very pleased with the outcome and gave it a happy thumbs-up. // Copyright © Felix Haas. All Rights Reserved.
This is not someone that my camera found, but rather this man found my camera. He stopped me walking by and insisted I take a picture of him. He was very pleased with the outcome and gave it a happy thumbs-up. // Copyright © Felix Haas. All Rights Reserved.
A street kid in Antananarivo asking for my coke. // Copyright © Felix Haas. All Rights Reserved.
A street kid in Antananarivo asking for my coke. // Copyright © Felix Haas. All Rights Reserved.
An older woman panhandling in the center of Antananarivo. // Copyright © Felix Haas. All Rights Reserved.
An older woman panhandling in the center of Antananarivo. // Copyright © Felix Haas. All Rights Reserved.

On his four week stay in Madagascar, Felix Haas discovered that the people don't need a lot of money to be happy.

Middle East / Politics / Arts & Culture / 360° Analysis / Syria

Paint and Suffering: A Syrian Artist’s Cry for Help

19 November 2012
Ashley Lohmann
Syrian artist, Fadia Afashe prepares for her exhibition at the Levantine Cultural Center in Los Angeles. Her paintings depict the pain and suffering she and those around her have experienced during the revolution. But “I still see the hope,” she says in an interview shortly before the opening of her show, “I RISE.” Copyright © Ashley Lohmann
Syrian artist, Fadia Afashe prepares for her exhibition at the Levantine Cultural Center in Los Angeles. Her paintings depict the pain and suffering she and those around her have experienced during the revolution. But “I still see the hope,” she says in an interview shortly before the opening of her show, “I RISE.” Copyright © Ashley Lohmann
Fadia studies her painting, “Under Shelling,” which depicts regime attacks on civilian neighborhoods, such as the one in which her parents reside. Fadia admits that it has been difficult to stay safely in the US while the revolution rages at home, but she believes that she can be a better advocate for the Syrian people here. Copyright © Ashley Lohmann
Fadia studies her painting, “Under Shelling,” which depicts regime attacks on civilian neighborhoods, such as the one in which her parents reside. Fadia admits that it has been difficult to stay safely in the US while the revolution rages at home, but she believes that she can be a better advocate for the Syrian people here. Copyright © Ashley Lohmann
“Touchable.” Fadia’s friend, a 35-year-old mother of two and a creative activist, disappeared in December 2011. The regime has denied that they arrested her. According to Fadia, many Syrian artists—including actors, writers, musicians, and cartoonists—have become public role models for boldly speaking out against the regime. Copyright © Ashley Lohmann
“Touchable.” Fadia’s friend, a 35-year-old mother of two and a creative activist, disappeared in December 2011. The regime has denied that they arrested her. According to Fadia, many Syrian artists—including actors, writers, musicians, and cartoonists—have become public role models for boldly speaking out against the regime. Copyright © Ashley Lohmann
“The Pianist.” The famous Syrian pianist Malek Jandali has composed songs in support of the revolution, including his award-winning composition, “Watani Ana” (I Am My Homeland). As an American citizen and resident, he remains outside of the regime’s reach, but in July 2011, Syrian security forces brutally beat his elderly parents living in Damascus, according to Jandali. Copyright © Ashley Lohmann
“The Pianist.” The famous Syrian pianist Malek Jandali has composed songs in support of the revolution, including his award-winning composition, “Watani Ana” (I Am My Homeland). As an American citizen and resident, he remains outside of the regime’s reach, but in July 2011, Syrian security forces brutally beat his elderly parents living in Damascus, according to Jandali. Copyright © Ashley Lohmann
Fadia’s pain and sorrow after learning of a close relative’s arrest and interrogation fueled her painting, “Interrogation” (left). She still fears for her family’s safety in Damascus and worries that her show in Los Angeles could make them a target for retribution. Copyright © Ashley Lohmann
Fadia’s pain and sorrow after learning of a close relative’s arrest and interrogation fueled her painting, “Interrogation” (left). She still fears for her family’s safety in Damascus and worries that her show in Los Angeles could make them a target for retribution. Copyright © Ashley Lohmann
“Mother.” In the early days of the revolution, Fadia met a mother in Damascus who had seen her son tortured. The mother was still in shock. To Fadia it seemed as if the mother was simply going through the motions of life, as if she had no head. Copyright © Ashley Lohmann
“Mother.” In the early days of the revolution, Fadia met a mother in Damascus who had seen her son tortured. The mother was still in shock. To Fadia it seemed as if the mother was simply going through the motions of life, as if she had no head. Copyright © Ashley Lohmann
“Black Hole.” The regime stripped and imprisoned Fadia’s 28-year-old friend after she led a peaceful demonstration in Damascus. Fadia herself was imprisoned shortly after the revolution began. She was released after a matter of hours, but to her it felt like days. Copyright © Ashley Lohmann
“Black Hole.” The regime stripped and imprisoned Fadia’s 28-year-old friend after she led a peaceful demonstration in Damascus. Fadia herself was imprisoned shortly after the revolution began. She was released after a matter of hours, but to her it felt like days. Copyright © Ashley Lohmann
In Fadia’s “Can’t Be” (left), she and her husband hold each other to feel safe. In her “Transformation” (right), Fadia sits alone, realizing that her ideals give her the power to overcome dictatorship. Despite the hopelessness and frustration she has felt as the conflict continues to take its toll, she confides, “Syria will continue. We will get our freedom no matter what the price will be.” Copyright © Ashley Lohmann
In Fadia’s “Can’t Be” (left), she and her husband hold each other to feel safe. In her “Transformation” (right), Fadia sits alone, realizing that her ideals give her the power to overcome dictatorship. Despite the hopelessness and frustration she has felt as the conflict continues to take its toll, she confides, “Syria will continue. We will get our freedom no matter what the price will be.” Copyright © Ashley Lohmann
Michael Rood, a former intern at the Levantine Cultural Center, studies Fadia’s artwork at her show’s opening night. Fadia hopes that those who see or buy her paintings will spread the word and support her cause: encouraging the US to assist the Syrian opposition. Copyright © Ashley Lohmann
Michael Rood, a former intern at the Levantine Cultural Center, studies Fadia’s artwork at her show’s opening night. Fadia hopes that those who see or buy her paintings will spread the word and support her cause: encouraging the US to assist the Syrian opposition. Copyright © Ashley Lohmann
“His Soul.” Fadia’s final painting in the “I RISE” series portrays the soul of her husband’s cousin who died from torture. Fadia explains that this painting is a fervent cry to the world for help: “His soul [is] asking you to speak out for him... [He’s saying], ‘I died for freedom. What have you done?’” Copyright © Ashley Lohmann
“His Soul.” Fadia’s final painting in the “I RISE” series portrays the soul of her husband’s cousin who died from torture. Fadia explains that this painting is a fervent cry to the world for help: “His soul [is] asking you to speak out for him... [He’s saying], ‘I died for freedom. What have you done?’” Copyright © Ashley Lohmann

Read the article, Paint and Suffering: A Syrian Artist’s Cry for Help, here.

The images above have been cropped. Click on each picture to see the full-sized image. 

 

Americas / Arts & Culture / 360° Analysis

Hit the Road, Jack

10 October 2012
Daniel DeFraia
Route 1 // Source: Author's own
Route 1 // Source: Author's own
Rodeo // Source: Author's own
Rodeo // Source: Author's own
Rest Stop // Source: Author's own
Rest Stop // Source: Author's own
On the Road // Source: Author's own
On the Road // Source: Author's own
Glacier Lake // Source: Author's own
Glacier Lake // Source: Author's own
Cooz Bay // Source: Author's own
Cooz Bay // Source: Author's own
Buffalo watching // Source: Author's own
Buffalo watching // Source: Author's own
Beach Lions // Source: Author's own
Beach Lions // Source: Author's own
Big Sur Beach // Source: Author's own
Big Sur Beach // Source: Author's own

Why is the road trip such an appealing American tradition?

It was 1933, Hoover was out, Roosevelt was in, and Harry L. Hopkins had sent the irascible Lorena Hickok on the road to report the state of affairs in a ragged and stricken America.“What I want you to do,” instructed Hopkins, “is to go out around the country and look this thing over.” That “thing” was the Great Depression.

Asia / Arts & Culture / Focus Article

The Sandbank People of Bangladesh

1 August 2012
Bruno De Cordier
Chauhali Char // Source: Bram Ferket
Chauhali Char // Source: Bram Ferket
‘Service boats’ like this one connect the chars to the mainland and call at one or several chars on their rounds. Besides people they transport all sorts of goods that are sold in the weekly or permanent bazaars on the islands. // Source: Bram Ferket
‘Service boats’ like this one connect the chars to the mainland and call at one or several chars on their rounds. Besides people they transport all sorts of goods that are sold in the weekly or permanent bazaars on the islands. // Source: Bram Ferket
The boat landing place of Chauhali char, at once its main connection to the mainland, along with the mobile phone network which covers the area. // Source: Bram Ferket
The boat landing place of Chauhali char, at once its main connection to the mainland, along with the mobile phone network which covers the area. // Source: Bram Ferket
Agriculture on the Char // Source: Bram Ferket
Agriculture on the Char // Source: Bram Ferket
Even more than on the mainland, life on the chars is one of permanent and direct confrontation with the elements. The artificial dwelling hills on which most houses and farms are built to protect them from river floods quite remind us the old Frisian terpen. // Source: Bram Ferket
Even more than on the mainland, life on the chars is one of permanent and direct confrontation with the elements. The artificial dwelling hills on which most houses and farms are built to protect them from river floods quite remind us the old Frisian terpen. // Source: Bram Ferket
Many chars were once part of the mainland but got separated from it after monsoon floods that change the course of the Brahmaputra river or one of its tributaries, or because of erosion that continues to be a constant challenge. // Source: Bram Ferket
Many chars were once part of the mainland but got separated from it after monsoon floods that change the course of the Brahmaputra river or one of its tributaries, or because of erosion that continues to be a constant challenge. // Source: Bram Ferket
A pumping station to irrigate the rice fields near Teguri village. In stark contrast to the mainland and its hectic motorized traffic, the diesel pumps are almost the only engine sound to be heard on the char. // Source: Bram Ferket
A pumping station to irrigate the rice fields near Teguri village. In stark contrast to the mainland and its hectic motorized traffic, the diesel pumps are almost the only engine sound to be heard on the char. // Source: Bram Ferket
Cottage industries like this cloth weavery and seasonal labor migration ‒ mostly to Sylhet ‒ provide additional income for not a few households on Chauhali char. // Source: Bram Ferket
Cottage industries like this cloth weavery and seasonal labor migration ‒ mostly to Sylhet ‒ provide additional income for not a few households on Chauhali char. // Source: Bram Ferket
A small market in the village of Borangial. // Source: Bram Ferket
A small market in the village of Borangial. // Source: Bram Ferket
Onlookers, some shying away at once, in Teguri village. The seasonal absence of not a few men of active age from Chauhali char to work as laborers during the harvest season in Sylhet or as rickshaw pullers in one of Bangladesh’s cities naturally affect the task division between men and women on the bank. // Source: Bram Ferket
Onlookers, some shying away at once, in Teguri village. The seasonal absence of not a few men of active age from Chauhali char to work as laborers during the harvest season in Sylhet or as rickshaw pullers in one of Bangladesh’s cities naturally affect the task division between men and women on the bank. // Source: Bram Ferket

Chars are inhabited sandbanks in the Brahmaputra river that crosses Bangladesh from north to south. The chars comprise less than 1.5% of the country’s total land area but accommodate an estimated 5% of its population. Some char settlements only last one or two monsoons after which they disappear into the river and the inhabitants move to another one. Others, like Chauhali char, have been inhabited for two or more generations, have areas of up to tens of square kilometers and have more permanent infrastructure.

Middle East / Politics / Arts & Culture / 360° Analysis

A Particular Province of Syria: In Pictures

26 July 2012
Nicholas A. Heras
The entrance to Syria Street from behind the Bab Al Tabbaneh market. The apartment buildings on the hill serve as sniper spots for gunfire into Jebel Mohsen. // Source: Nicholas A. Heras
The entrance to Syria Street from behind the Bab Al Tabbaneh market. The apartment buildings on the hill serve as sniper spots for gunfire into Jebel Mohsen. // Source: Nicholas A. Heras
Jebel Mohsen, the predominately Alawite neighborhood of Tripoli, with a poster of Bashar al-Assad and his late father Hafez. // Source: Nicholas A. Heras
Jebel Mohsen, the predominately Alawite neighborhood of Tripoli, with a poster of Bashar al-Assad and his late father Hafez. // Source: Nicholas A. Heras
View of a typical apartment building in the Jebel Mohsen neighborhood of Tripoli. Like Bab Al Tabbaneh, Jebel Mohsen is a hay sha'abi (popular neighborhood). // Source: Nicholas A. Heras
View of a typical apartment building in the Jebel Mohsen neighborhood of Tripoli. Like Bab Al Tabbaneh, Jebel Mohsen is a hay sha'abi (popular neighborhood). // Source: Nicholas A. Heras
Seehat Tel (Hill Square), one of Tripoli's most famous landmarks. The clock tower, pictured in the foreground, was built by the Ottomans in 1902 as a gift to the city of Tripoli. // Source: Nicholas A. Heras
Seehat Tel (Hill Square), one of Tripoli's most famous landmarks. The clock tower, pictured in the foreground, was built by the Ottomans in 1902 as a gift to the city of Tripoli. // Source: Nicholas A. Heras
Seehat Tel (Hill Square) is also one of Tripoli's busiest transportation hubs. // Source: Nicholas A. Heras
Seehat Tel (Hill Square) is also one of Tripoli's busiest transportation hubs. // Source: Nicholas A. Heras
The Taynal Mosque, perhaps Tripoli's most famous landmark. It was constructed in 1336 in honor of Taynal Al-Nasiri, the Mameluke governor of Tripoli. // Source: Nicholas A. Heras
The Taynal Mosque, perhaps Tripoli's most famous landmark. It was constructed in 1336 in honor of Taynal Al-Nasiri, the Mameluke governor of Tripoli. // Source: Nicholas A. Heras
A busy roundabout, set next to the "Castle of Sweetness" owned and operated by one of Tripoli's most famous pastry makers, Abdul Rahman Hallab. // Source: Nicholas A. Heras
A busy roundabout, set next to the "Castle of Sweetness" owned and operated by one of Tripoli's most famous pastry makers, Abdul Rahman Hallab. // Source: Nicholas A. Heras
A typical street in the Qubbet Al-Nasr (Dome of Victory), or "Ibbe" as it is know locally, neighborhood that borders Bab Al-Tabbaneh and Jbel Mohsen. The black Salafist flag is common throughout the Beddawi, Ibbe, and Bab Al-Tabbaneh neighborhoods of Tripoli. // Source: Nicholas A. Heras
A typical street in the Qubbet Al-Nasr (Dome of Victory), or "Ibbe" as it is know locally, neighborhood that borders Bab Al-Tabbaneh and Jbel Mohsen. The black Salafist flag is common throughout the Beddawi, Ibbe, and Bab Al-Tabbaneh neighborhoods of Tripoli. // Source: Nicholas A. Heras
A memorial to the Lebanese Army soldiers killed in fighting with the militant Islamist organization Fatah Al-Islam (Conquest of Islam) in the Nahr Al-Bared Palestinian refugee camp. Nahr Al-Bared is widely remembered and honored in the battle-rolls of the Lebanese Army. // Source: Nicholas A. Heras
A memorial to the Lebanese Army soldiers killed in fighting with the militant Islamist organization Fatah Al-Islam (Conquest of Islam) in the Nahr Al-Bared Palestinian refugee camp. Nahr Al-Bared is widely remembered and honored in the battle-rolls of the Lebanese Army. // Source: Nicholas A. Heras
A street art monument erected by the Municipal government of Tripoli for the purposes of beautifying public spaces in the city. // Source: Nicholas A. Heras
A street art monument erected by the Municipal government of Tripoli for the purposes of beautifying public spaces in the city. // Source: Nicholas A. Heras
The Siddiq Mosque, one Tripoli's newest and largest houses of worship. The mosque, built in 1960, is located on Fouad Shehab Street on the road to Seehat Nour (Square of Divine Light). // Source: Nicholas A. Heras
The Siddiq Mosque, one Tripoli's newest and largest houses of worship. The mosque, built in 1960, is located on Fouad Shehab Street on the road to Seehat Nour (Square of Divine Light). // Source: Nicholas A. Heras
A typical area of the Al-Mina neighborhood. The picture was taken from a French military cemetery dating from the time of the French Mandate rule over Lebanon from 1920 to 1943. // Source: Nicholas A. Heras
A typical area of the Al-Mina neighborhood. The picture was taken from a French military cemetery dating from the time of the French Mandate rule over Lebanon from 1920 to 1943. // Source: Nicholas A. Heras
A picturesque French military cemetery dating from the time of the French Mandate rule over Lebanon from 1920 to 1943. The cemetery is on the coast and is part of a church compound supposedly dating to the time of the Crusades. // Source: Nicholas A. Heras
A picturesque French military cemetery dating from the time of the French Mandate rule over Lebanon from 1920 to 1943. The cemetery is on the coast and is part of a church compound supposedly dating to the time of the Crusades. // Source: Nicholas A. Heras
An Armenian Orthodox (Apostolic) Church located in the Zaharieh district behind Seehat Tel (Hill Square). Christians are a significant minority of Tripoli's population, particularly in the hill suburbs north and east of the city. // Source: Nicholas A. Heras
An Armenian Orthodox (Apostolic) Church located in the Zaharieh district behind Seehat Tel (Hill Square). Christians are a significant minority of Tripoli's population, particularly in the hill suburbs north and east of the city. // Source: Nicholas A. Heras
The Crusader-era citadel of the French nobleman and soldier Raymond de St. Gilles, located in the Abi Samra neighborhood southeast of Tripoli. The citadel is now a museum and tourist attraction. // Source: Nicholas A. Heras
The Crusader-era citadel of the French nobleman and soldier Raymond de St. Gilles, located in the Abi Samra neighborhood southeast of Tripoli. The citadel is now a museum and tourist attraction. // Source: Nicholas A. Heras

View bonus feature from Nicholas A. Heras' multi-part series with pictures of Tripoli, Lebanon.

Read the series here.

 

Europe / Middle East / Arts & Culture / 360° Analysis

Hajj Exhibition at the British Museum

12 April 2012
Lana Asfour
The Ka’ba in Mecca shown as the centre of the world. Illustration from Tarih-i Hind-i Garbi. Turkey, 1650 © Leiden University Library
The Ka’ba in Mecca shown as the centre of the world. Illustration from Tarih-i Hind-i Garbi. Turkey, 1650 © Leiden University Library
Hajj certificate (detail). 17th–18th century AD. © Nasser D. Khalili Collection of Islamic Art (Khalili Family Trust)
Hajj certificate (detail). 17th–18th century AD. © Nasser D. Khalili Collection of Islamic Art (Khalili Family Trust)
Ivory sundial and Qibla pointer, made by Bayram b. Ilyas. Turkey, 1582-3 © The Trustees of the British Museum
Ivory sundial and Qibla pointer, made by Bayram b. Ilyas. Turkey, 1582-3 © The Trustees of the British Museum
Ahmed Mater (b. 1979). Magnetism. Photogravure etching. 2011 © Ahmed Mater and the Trustees of the British Museum
Ahmed Mater (b. 1979). Magnetism. Photogravure etching. 2011 © Ahmed Mater and the Trustees of the British Museum
Curtain for the door of the Ka’ba in the name of Sultan Abd al-Majid Khan. Cairo, 1846-47 © Nasser D. Khalili Collection of Islamic Art (Khalili Family Trust)
Curtain for the door of the Ka’ba in the name of Sultan Abd al-Majid Khan. Cairo, 1846-47 © Nasser D. Khalili Collection of Islamic Art (Khalili Family Trust)

Related article: The British Museum's Hajj Exhibition: A Collective Undertaking

 

BRIC / Arts & Culture / Focus Article

Kerala's Boat Races

21 March 2012
Supriya Sehgal
No time to gauge the strength – just move ahead! // Source: Varkey George
No time to gauge the strength – just move ahead! // Source: Varkey George
A hoarding for one of the leading newspapers of Kerala is a perfect backdrop to one of the boats passing by. // Source: Varkey George
A hoarding for one of the leading newspapers of Kerala is a perfect backdrop to one of the boats passing by. // Source: Varkey George
A house boat captured in motion, with a beautiful blue hue in the evening! // Source: Kumar Abhishek
A house boat captured in motion, with a beautiful blue hue in the evening! // Source: Kumar Abhishek
A patrol boat surveys the competition track during the Snake Boat Race! // Source: Kumar Abhishek
A patrol boat surveys the competition track during the Snake Boat Race! // Source: Kumar Abhishek
Determination at its best! Thousands gather to see the race from the periphery. // Source: Kumar Abhishek
Determination at its best! Thousands gather to see the race from the periphery. // Source: Kumar Abhishek
Asia / Environment & Sustainability

Uda Walawe National Park, Sri Lanka

28 February 2012
Shermin de Silva, PhD
This idyllic scene is typical of the patchwork of subsistence farms surrounding Uda Walawe National Park, Sri Lanka. Rice and bananas are staple crops, together with vegetables. Unfortunately, these same crops are highly attractive to wildlife. // Source: Shermin de Silva
This idyllic scene is typical of the patchwork of subsistence farms surrounding Uda Walawe National Park, Sri Lanka. Rice and bananas are staple crops, together with vegetables. Unfortunately, these same crops are highly attractive to wildlife. // Source: Shermin de Silva
Small-scale mechanization exists here side-by-side with the forest. // Source: Shermin de Silva
Small-scale mechanization exists here side-by-side with the forest. // Source: Shermin de Silva
A young girl proudly shows off her family's paddy fields. // Source: Shermin de Silva
A young girl proudly shows off her family's paddy fields. // Source: Shermin de Silva
A hard-working farmer. // Source: Shermin de Silva
A hard-working farmer. // Source: Shermin de Silva
Modest homes like these on the fringes of wilderness can sometimes be demolished by elephants. // Source: Shermin de Silva
Modest homes like these on the fringes of wilderness can sometimes be demolished by elephants. // Source: Shermin de Silva
A functional well. // Source: Shermin de Silva
A functional well. // Source: Shermin de Silva
An elephant venturing beyond the national park falls victim to an abandoned well. // Source: Shermin de Silva
An elephant venturing beyond the national park falls victim to an abandoned well. // Source: Shermin de Silva
Back yard cultivations are easily damaged by elephants. // Source: Shermin de Silva
Back yard cultivations are easily damaged by elephants. // Source: Shermin de Silva
An adult male with human-inflicted wounds on his forehead. // Source: Shermin de Silva
An adult male with human-inflicted wounds on his forehead. // Source: Shermin de Silva
Just a slim thread of electricity separates the elephant from the casual bystanders. The nonchalance both species exhibit here hides deeper conflicts between them, but at the same time suggests a more peaceful coexistence may be within reach if each accepts the other as part of the landscape. // Source: Shermin de Silva
Just a slim thread of electricity separates the elephant from the casual bystanders. The nonchalance both species exhibit here hides deeper conflicts between them, but at the same time suggests a more peaceful coexistence may be within reach if each accepts the other as part of the landscape. // Source: Shermin de Silva

Related articles:

The Elephant in the Room

The Ivory Trade: Commodities, Controls and Consequences

 

Middle East / Politics / 360° Analysis

One Year After Mubarak: In Pictures

10 February 2012
Hossam Rashad • Ahmed Mobasher
Demonstrators mobilize on Tahrir Street in Dokki before facing police guarding the bridge across the Nile and into Tahrir Square // Source: Hossam Rashad
Demonstrators mobilize on Tahrir Street in Dokki before facing police guarding the bridge across the Nile and into Tahrir Square // Source: Hossam Rashad
Thousands of protesters march across the ‘Asr El Nil Bridge towards Tahrir Square to the frontline of the battle to break Mubarak’s police blockade // Source: Hossam Rashad
Thousands of protesters march across the ‘Asr El Nil Bridge towards Tahrir Square to the frontline of the battle to break Mubarak’s police blockade // Source: Hossam Rashad
Egyptians aid an injured protester on the ‘Asr El Nil Bridge that leads directly to Tahrir Square in wake of clashes with police // Source: Hossam Rashad
Egyptians aid an injured protester on the ‘Asr El Nil Bridge that leads directly to Tahrir Square in wake of clashes with police // Source: Hossam Rashad
Silhouetted soldiers stand guard in Tahrir Square // Source: Hossam Rashad
Silhouetted soldiers stand guard in Tahrir Square // Source: Hossam Rashad
In Tahrir Square, a young boy hoisted on his father’s shoulders leads chants against the regime // Source: Hossam Rashad
In Tahrir Square, a young boy hoisted on his father’s shoulders leads chants against the regime // Source: Hossam Rashad
Protesters gloat atop abandoned Central Security Force transport vehicles in Tahrir Square after successfully driving state security forces out of the revolution’s epicenter // Source: Hossam Rashad
Protesters gloat atop abandoned Central Security Force transport vehicles in Tahrir Square after successfully driving state security forces out of the revolution’s epicenter // Source: Hossam Rashad
Demonstrators take a break in a tent enclave amidst the crowds of Tahrir Square // Source: Ahmad Mobasher
Demonstrators take a break in a tent enclave amidst the crowds of Tahrir Square // Source: Ahmad Mobasher
Sunset over Tahrir, as this protester demands that Mubarak should “get out.” // Source: Ahmad Mobasher
Sunset over Tahrir, as this protester demands that Mubarak should “get out.” // Source: Ahmad Mobasher
Egyptian women join chants against Mubarak regime in the center of Tahrir Square // Source: Ahmad Mobasher
Egyptian women join chants against Mubarak regime in the center of Tahrir Square // Source: Ahmad Mobasher
Demonstrators rest atop burnt police transport vehicles after days of violent clashes with the police // Source: Ahmad Mobasher
Demonstrators rest atop burnt police transport vehicles after days of violent clashes with the police // Source: Ahmad Mobasher
A protester bears a sign comparing Mubarak to Hitler in the wake of years of police brutality and abuses by the former dictator’s state security apparatus // Source: Ahmad Mobasher
A protester bears a sign comparing Mubarak to Hitler in the wake of years of police brutality and abuses by the former dictator’s state security apparatus // Source: Ahmad Mobasher
This man leads his fellow protesters in daily prayer in Tahrir Square during the eighteen day sit-in that drove Mubarak from power // Source: Ahmad Mobasher
This man leads his fellow protesters in daily prayer in Tahrir Square during the eighteen day sit-in that drove Mubarak from power // Source: Ahmad Mobasher
Flags wave high in Tahrir Square as celebrations sweep the nation after news that Mubarak has stepped down // Ahmad Mobasher
Flags wave high in Tahrir Square as celebrations sweep the nation after news that Mubarak has stepped down // Ahmad Mobasher
Egyptians celebrate the announcement of Hosni Mubarak’s departure under a gigantic flag. // Source: Ahmad Mobasher
Egyptians celebrate the announcement of Hosni Mubarak’s departure under a gigantic flag. // Source: Ahmad Mobasher
Spirits run high in Tahrir Square as protestors celebrate the end of Mubarak’s 30 years of rule // Source: Ahmad Mobasher
Spirits run high in Tahrir Square as protestors celebrate the end of Mubarak’s 30 years of rule // Source: Ahmad Mobasher

Photographs by Ahmed Basher and Hossam Rashad.

 

Europe / Arts & Culture

A Look Back at the Oktoberfest 2011

6 October 2011
Daniel Hemel
The Oktoberfest is for young and old. This year 6.9 million people came to participate.© Daniel Hemel
The Oktoberfest is for young and old. This year 6.9 million people came to participate.© Daniel Hemel
Around 500,000 more visitors than last year.© Daniel Hemel
Around 500,000 more visitors than last year.© Daniel Hemel
One of the most bought souvenirs are the gingerbread hearts with words made of icing. © Daniel Hemel
One of the most bought souvenirs are the gingerbread hearts with words made of icing. © Daniel Hemel
4,750 things were lost and found on an area of 77 acres. Even a set of false teeth got lost but were found again.Please click to see the panorama © Daniel Hemel
4,750 things were lost and found on an area of 77 acres. Even a set of false teeth got lost but were found again.Please click to see the panorama © Daniel Hemel
Shooting with pallet guns is very popular on the Oktoberfest. All together there are 275 carny who own rollercoasters, haunted houses and showmen.© Daniel Hemel
Shooting with pallet guns is very popular on the Oktoberfest. All together there are 275 carny who own rollercoasters, haunted houses and showmen.© Daniel Hemel
Around 6000 people can fit into one such a tent. There are an additional 2500 seats in the beergarden around the tent.© Daniel Hemel
Around 6000 people can fit into one such a tent. There are an additional 2500 seats in the beergarden around the tent.© Daniel Hemel
This years visitors drank 7,5 million Maß (traditional 1 liter mugs) of beer. This is 0,4 million Maß more than last year. © Daniel Hemel
This years visitors drank 7,5 million Maß (traditional 1 liter mugs) of beer. This is 0,4 million Maß more than last year. © Daniel Hemel
Proceedings from the sale of beer amounted to 67,5 million Euro.© Daniel Hemel
Proceedings from the sale of beer amounted to 67,5 million Euro.© Daniel Hemel
The last person switches the lights off. This year the Oktoberfest used about 2,95 million kilowatt hours in 17 days, 3% less energy than last year.© Daniel Hemel
The last person switches the lights off. This year the Oktoberfest used about 2,95 million kilowatt hours in 17 days, 3% less energy than last year.© Daniel Hemel

After 17 days of joy and laughter, the 178th Oktoberfest in Munich is already over but was one of the most enjoyable. More visitors, beer, food and sun than last year's festival made it exceptional. See more numbers and figures in the Photo Feature! Please click to enlarge the pictures.

BRIC / Arts & Culture / Global Security

Nagaland - India

26 August 2011
Supriya Sehgal
A proud tribal gets ready for the traditional dance at the annual ‘Hornbill’ Festival in Kohima.
A proud tribal gets ready for the traditional dance at the annual ‘Hornbill’ Festival in Kohima.
Tribal women cradle ‘dummy’ babies in their arms as they line up for a mellow performance at the venue of the Hornbill Festival.
Tribal women cradle ‘dummy’ babies in their arms as they line up for a mellow performance at the venue of the Hornbill Festival.
A lone Assamese drum awaits its turn to be part of the joyful clamour for a dance performance.
A lone Assamese drum awaits its turn to be part of the joyful clamour for a dance performance.
More than just a feathered headgear! For one of the Naga tribes, the number of quills on his headgear might refer to the heads a man has hunted in his lifetime or jestfully his romantic meanderings.
More than just a feathered headgear! For one of the Naga tribes, the number of quills on his headgear might refer to the heads a man has hunted in his lifetime or jestfully his romantic meanderings.
Weathered but certainly not tired feet of the tribesman at the Nagaland Hornbill Festival.
Weathered but certainly not tired feet of the tribesman at the Nagaland Hornbill Festival.
A variety of jewellery and accessories make a perfect foreground to the venue of the Hornbill Festival.
A variety of jewellery and accessories make a perfect foreground to the venue of the Hornbill Festival.
The festival is not only for the old. A young ‘Angami’ boy looks on to the finale with great pride. It’s different that his shiny white Converse sneakers give away his urban leaning.
The festival is not only for the old. A young ‘Angami’ boy looks on to the finale with great pride. It’s different that his shiny white Converse sneakers give away his urban leaning.
Gearing up for the final bonfire. A determined clasp of the hands portrays the resolute association of the tribals with their past.
Gearing up for the final bonfire. A determined clasp of the hands portrays the resolute association of the tribals with their past.
The only guard in-charge of the VIP podium at the festival looks up at the flames rising from a distant bonfire.
The only guard in-charge of the VIP podium at the festival looks up at the flames rising from a distant bonfire.

If you have read Pico Iyer's 'Falling off the Map', you will immediately connect with the 'lonely places' that he talks about. Holding onto its traditions with vivacious tenacity, Nagaland sits refreshingly aloof on the eastern edge of India.

Middle East / Arts & Culture

Jordan and Syria

3 August 2011
fairobserver
Mosque in Jordan. With this blue sky and the white walls, prayers have to reach heaven immediately.// Janell Peske
Mosque in Jordan. With this blue sky and the white walls, prayers have to reach heaven immediately.// Janell Peske
mpressions from Wadi Rum, the largest Wadi in Jordan. // Janell Peske
mpressions from Wadi Rum, the largest Wadi in Jordan. // Janell Peske
Modern Arabs? // Janell Peske
Modern Arabs? // Janell Peske
Wadi Rum. Many places to hide, nowhere to go. // Janell Peske
Wadi Rum. Many places to hide, nowhere to go. // Janell Peske
Dead Sea. Still life. // Janell Peske
Dead Sea. Still life. // Janell Peske
Dead Sea, shaken sky. // Janell Peske
Dead Sea, shaken sky. // Janell Peske
Mosque in Damascus, Syria. Life is beautiful // Janell Peske
Mosque in Damascus, Syria. Life is beautiful // Janell Peske
Middle East / Politics

Middle East Timeline

2 August 2011
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Ann Mackowski
Arts & Culture

Indian Himalayan

2 August 2011
Anonymous
The Gangotri Glacier from camp beneath the peaks of Bhagirathi II, II and III (Ran Chakrabarti, October 2005)
The Gangotri Glacier from camp beneath the peaks of Bhagirathi II, II and III (Ran Chakrabarti, October 2005)
The Gangotri Glacier from camp beneath the peaks of Bhagirathi II, II and III (Ran Chakrabarti, October 2005)
The Gangotri Glacier from camp beneath the peaks of Bhagirathi II, II and III (Ran Chakrabarti, October 2005)
Puja at Laxmanjhula Ghat, Rishikesh, India (Ran Chakrabarti, October 2005)
Puja at Laxmanjhula Ghat, Rishikesh, India (Ran Chakrabarti, October 2005)
The Gangotri Glacier from Tapovan meadow beneath the peaks of Bhagirathi I, II and III (Ran Chakrabarti, October 2005)
The Gangotri Glacier from Tapovan meadow beneath the peaks of Bhagirathi I, II and III (Ran Chakrabarti, October 2005)
Source of the Ganges - Hindu prayer flags on the way to the face of the Gangotri Glacier beneath the towering peaks of Bhagirathi I, II and III (Ran Chakrabarti, October 2005)
Source of the Ganges - Hindu prayer flags on the way to the face of the Gangotri Glacier beneath the towering peaks of Bhagirathi I, II and III (Ran Chakrabarti, October 2005)
Arts & Culture

India

30 July 2011
Anonymous
Dawn at the Taj Mahal from the opposite bank of the River Jumna (Ran Chakrabarti, November 2002)
Dawn at the Taj Mahal from the opposite bank of the River Jumna (Ran Chakrabarti, November 2002)
The walls of Bundi palace at sunset, Bundi, Rajasthan (Ran Chakrabarti, November 2002)
The walls of Bundi palace at sunset, Bundi, Rajasthan (Ran Chakrabarti, November 2002)
Pilgrims bathe in the holy Pushkar lake (Ran Chakrabarti, November 2002)
Pilgrims bathe in the holy Pushkar lake (Ran Chakrabarti, November 2002)
Sunset through the smoke of camp fires at Pushkar, Rajasthan (Ran Chakrabarti, November 2002)
Sunset through the smoke of camp fires at Pushkar, Rajasthan (Ran Chakrabarti, November 2002)
Burning bodies at Manikarnika Ghat, Varanasi (Ran Chakrabarti, December 2003)
Burning bodies at Manikarnika Ghat, Varanasi (Ran Chakrabarti, December 2003)
Facade of the Palace of Winds, Jaipur, Rajasthan (Ran Chakrabarti, November 2002)
Facade of the Palace of Winds, Jaipur, Rajasthan (Ran Chakrabarti, November 2002)
Jaisalmer, Rajasthan, India
Jaisalmer, Rajasthan, India